Virtual auditorium concepts for exhibition halls
Identifieur interne : 001F79 ( Main/Exploration ); précédent : 001F78; suivant : 001F80Virtual auditorium concepts for exhibition halls
Auteurs : Jack Evans [États-Unis] ; Chad Himmel [États-Unis] ; Sarah Knight [États-Unis]Source :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2002-11.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
Many communities lack good performance facilities for symphonic music, opera, dramatic and musical arts, but have basic convention, exhibition or assembly spaces. It should be possible to develop performance space environments within large multipurpose facilities that will accommodate production and presentation of dramatic arts. Concepts for moderate-cost, temporary enhancements that transform boxy spaces into more intimate, acoustically articulated venues will be presented. Acoustical criteria and design parameters will be discussed in the context of creating a virtual auditorium within the building envelope. Physical, economic, and logistical limitations affect implementation. Sound reinforcement system augmentation can supplement the room conversion. Acceptable control of reflection patterns, reverberation, and to some extent, ambient noise, may be achieved with an array of nonpermanent reflector and absorber elements. These elements can sculpture an enclosure to approach the shape and acoustic characteristics of an auditorium. Plan and section illustrations will be included.
Affiliations:
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Le document en format XML
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Vib. Acoustics & Noise Solutions, 5806 Mesa Dr., Ste. 380, Austin, TX 78731-3742</s1><sZ>1 aut.</sZ><sZ>2 aut.</sZ><sZ>3 aut.</sZ></inist:fA14><country xml:lang="fr">États-Unis</country><placeName><region type="state">Texas</region></placeName><wicri:cityArea>JEAcoustics/Eng. Vib. Acoustics & Noise Solutions, 5806 Mesa Dr., Ste. 380, Austin</wicri:cityArea></affiliation></author><author><name sortKey="Himmel, Chad" sort="Himmel, Chad" uniqKey="Himmel C" first="Chad" last="Himmel">Chad Himmel</name><affiliation wicri:level="2"><inist:fA14 i1="01"><s1>JEAcoustics/Eng. Vib. Acoustics & Noise Solutions, 5806 Mesa Dr., Ste. 380, Austin, TX 78731-3742</s1><sZ>1 aut.</sZ><sZ>2 aut.</sZ><sZ>3 aut.</sZ></inist:fA14><country xml:lang="fr">États-Unis</country><placeName><region type="state">Texas</region></placeName><wicri:cityArea>JEAcoustics/Eng. Vib. Acoustics & Noise Solutions, 5806 Mesa Dr., Ste. 380, Austin</wicri:cityArea></affiliation></author><author><name sortKey="Knight, Sarah" sort="Knight, Sarah" uniqKey="Knight S" first="Sarah" last="Knight">Sarah Knight</name><affiliation wicri:level="2"><inist:fA14 i1="01"><s1>JEAcoustics/Eng. Vib. Acoustics & Noise Solutions, 5806 Mesa Dr., Ste. 380, Austin, TX 78731-3742</s1><sZ>1 aut.</sZ><sZ>2 aut.</sZ><sZ>3 aut.</sZ></inist:fA14><country xml:lang="fr">États-Unis</country><placeName><region type="state">Texas</region></placeName><wicri:cityArea>JEAcoustics/Eng. Vib. Acoustics & Noise Solutions, 5806 Mesa Dr., Ste. 380, Austin</wicri:cityArea></affiliation></author></analytic><series><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno><imprint><date when="2002-11">2002-11</date></imprint></series></biblStruct></sourceDesc><seriesStmt><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Experimental study</term><term>Theoretical study</term></keywords><keywords scheme="Pascal" xml:lang="fr"><term>4355F</term><term>Etude expérimentale</term><term>Etude théorique</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Many communities lack good performance facilities for symphonic music, opera, dramatic and musical arts, but have basic convention, exhibition or assembly spaces. It should be possible to develop performance space environments within large multipurpose facilities that will accommodate production and presentation of dramatic arts. Concepts for moderate-cost, temporary enhancements that transform boxy spaces into more intimate, acoustically articulated venues will be presented. Acoustical criteria and design parameters will be discussed in the context of creating a virtual auditorium within the building envelope. Physical, economic, and logistical limitations affect implementation. Sound reinforcement system augmentation can supplement the room conversion. Acceptable control of reflection patterns, reverberation, and to some extent, ambient noise, may be achieved with an array of nonpermanent reflector and absorber elements. These elements can sculpture an enclosure to approach the shape and acoustic characteristics of an auditorium. Plan and section illustrations will be included.</div></front></TEI><affiliations><list><country><li>États-Unis</li></country><region><li>Texas</li></region></list><tree><country name="États-Unis"><region name="Texas"><name sortKey="Evans, Jack" sort="Evans, Jack" uniqKey="Evans J" first="Jack" last="Evans">Jack Evans</name></region><name sortKey="Himmel, Chad" sort="Himmel, Chad" uniqKey="Himmel C" first="Chad" last="Himmel">Chad Himmel</name><name sortKey="Knight, Sarah" sort="Knight, Sarah" uniqKey="Knight S" first="Sarah" last="Knight">Sarah Knight</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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